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Promise Me The Summer

Written by Kathryn Cantrell

Kilt Valley, Book 3

I came home to disappear. I didn’t plan on being seen.

Going off the radar should be simple for a guy who makes a living pretending to be other people. But hiding in my hometown of Kilt Valley—disguised, renamed, and dodging my very recognizable face—that’s turning out to be the role of a lifetime.

No cameras. No red carpets. Just me, a borrowed name, and two weeks to prove I can go invisible before my next movie. What I didn’t count on was Maren—a documentary filmmaker with too much heart and a camera she’s not afraid to use.

She doesn’t know who I really am. At least, I don’t think she does. And if she finds out, this fragile, unexpected connection between us might disappear faster than my disguise.

But every time we talk, every moment she trusts me with something real, I stop caring about the spotlight. I just want to be the guy she thinks I am.

She’s trying to tell a story that matters. I just don’t know if I can be in it without rewriting both of our endings.

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I scan the room, clocking the exits, a habit I picked up after a particularly aggressive fan cornered me in a restroom in Prague. Most volunteers appear to be retirees or enthusiastic high school students trying to pad their college applications. No one seems to recognize me, which thrills me more than I was expecting.

I had forgotten what it feels like to be anonymous.

I kind of dig it.

There’s a woman in the corner, setting up camera equipment. She’s not looking at me, but I’m wary of anyone with a camera outside of a sanctioned press conference.

Plus, there’s something about her that keeps my gaze flicking in her direction.

Brown hair falls in waves past her shoulders, and she doesn’t act like someone comfortable behind a lens. It’s like she’s never seen some of this equipment before.

Curious why she’s here then, at a film festival. Hanging out with volunteers, no less. I shift my position, angling away from her camera.

“Now, as you all know, the Kilt Valley Film Festival is entering its twentieth year,” the coordinator continues, “and we’re expecting our biggest turnout yet. Which means we need all hands on-deck to make sure everything runs smoothly.”

My gaze drifts back to the camera woman. She’s wrestling with a tripod that appears to have a mind of its own, one leg stubbornly refusing to extend. I hide a smile as she talks to the thing, even though I can’t hear what she’s saying. I can guess well enough.

When the tripod finally surrenders with an audible click, she does a small fist pump that’s super cute. It makes me chuckle.

The sound must carry because she looks up, her eyes meeting mine. There’s no flash of recognition, no widening of pupils that I’ve come to expect when people realize who I am. Instead, she offers a rueful smile and a tiny shrug that has equipment malfunction – zero, me – one written all over it.

I grin back before I can think of a reason not to and we have a moment. The realization is a jolt and a half. It’s been a long time since I’ve done much of anything off-script, let alone with an attractive woman who has no idea who I am.

This is fantastic. I could get used to being a nobody.